Özet:
The creation process in various myths is one of the most fascinating of
occurrences. The musical creation of The Silmarillion which constructs a preliminary
sub creation of The Lord of the Rings will be the ‘Holy Bible’ of Middle-earth. J.R.R
Tolkien designs his Middle-earth from the very beginning of everything as if he were
implementing either the genesis part in the Holy Bible or the cosmogonic creation
that is fantasized by Ovidius in his metamorphoses. In other words, Tolkien employs
music as the primary element in The Silmarillion to explain how Middle-earth came
to be. He employed music as the primary element of his creation, which requires
close attention and a deeper examination of the process at work through this
dissertation. This thesis examines the connection of the creation process of Middle earth through two philosophical theories: Heraclitus’ logos and Pythagoras’ theory of
music. Logos is a term that can be associated with many different meanings,
including law, contradictions, understanding, and wisdom. On the other hand, music
represents the primary element in the formation of the universe in Middle-earth. At
the beginning, the Ainur (Valars) are playing a harmonic melody to create Middle earth. Melkor, the antagonist, interrupts them with his harsh discord, which
eventually leads to the link to Pythagoras and the music of the spheres. This link can
be established because of the harmony that is being interrupted by Melkor. Harmony
plays a major role in Pythagoras’ music of the spheres. In addition, it plays a major
role in Heraclitus’ logos. For these reasons, the link between logos and the music of
the spheres can be established. As a matter of fact, this thesis reports to make a
connection among the musical creation, logos, and The Silmarillion, as well as a
thoroughly comparison among the Ainur and the Greek gods to pinpoint Tolkien’s
both inspiration and influence on the primary world and the sub creation and this
comparison will be the last chapter of this thesis before the conclusion.
