Abstract:
Chinua Achebe's work articulates a new understanding of the African world,
giving a different comprehension to another sense of its experiences that is more
penetrating than what the West defines. The novel testifies to a style of communicating
that serves to give life and substance to the narrative content and thus to enforce the
initial gesture within the novel of cultural protection and reclamation. The novel
explores how things fall apart because the protagonist at the end of the novel commits
suicide marking an end to a once respected culture. The coming of the Western culture
destroys the cultural fabric of the Igbor community bringing in the binaries of the ‘self’
and ‘other’, superior and inferior. This community witnesses a replacement of their
cultural values with a new religion, trading system, educational and judiciary system.
This study explores on how the West penetrates these communities by not using
military or political forces. The novel also tries to present a corner of human endeavor
that is marked by the web of contradictions within which these individuals and their
collective destinies have everywhere and has suddenly been entangled because of
Western colonisation. This novel also shows how colonisation and its ideology has
been a major catalyst that affects the identity crisis of Okonkwo and his people. The
study is based on qualitative research method and within the framework of identity
crisis caused by colonialism, hence, postcolonial theory exhibits better understanding
of the novel.
