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THE REFLECTIONS OF NEW TECHNOLOGIES ON FILM FORMAT AND VISUAL STYLE: THE PSYCHO CASE WITHIN THE CONTEXT OF INTENSIFIED CONTINUITY EDITING
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| dc.contributor.author | Keles Gonca Cayir
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| dc.contributor.author | Balli Umut
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| dc.contributor.author | Cetinkaya Burcu Ozkan
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| dc.contributor.author | Ayas Bulent
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| dc.contributor.author | Findik Arzu
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| dc.contributor.author | Keles Zeynep Pinar
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| dc.contributor.author | Pamuk Ferda
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| dc.date.accessioned | 2019-07-10T13:27:03Z | |
| dc.date.available | 2019-07-10T13:27:03Z | |
| dc.date.issued | 2012 | |
| dc.identifier.uri | http://hdl.handle.net/11547/2675 | |
| dc.publisher | VISUALIST 2012: INTERNATIONAL CONGRESS ON VISUAL CULTURE NEW APPROACHES IN COMMUNICATION | |
| dc.publisher | ART AND DESIGN DIGITALIZATION | |
| dc.title | THE REFLECTIONS OF NEW TECHNOLOGIES ON FILM FORMAT AND VISUAL STYLE: THE PSYCHO CASE WITHIN THE CONTEXT OF INTENSIFIED CONTINUITY EDITING | |
| dc.publisher.firstpagenumber | 114 | |
| dc.publisher.lastpagenumber | 121 | |
| dc.identifier.wos | WOS:000308712800015 |
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Web Of Science [804]